In 1985, Korg introduced the world to the DW-8000, a groundbreaking synthesizer that merged digital wavetables and rich analog filters to give players access to a new universe of synthesized sounds. The Korg modwave continues the DW-8000’s storied legacy while representing a new evolution in wavetable synthesis. Comprising a vast collection of wavetable oscillators, a dozen gorgeous stereo filters, along with a humongous PCM sample library and a host of modulators, the Korg modwave launches you into a deep and immersive world of exploratory sound design. Yet, with its compact 37-key keyboard and remarkably intuitive user interface, the modwave is anything but overwhelming — it’s a fun and interactive synth that will appeal to seasoned and aspiring synthesists alike. Plus, synthesists at Music Experience are ecstatic over the inclusion of a built-in Kaoss Pad, which facilitates incredibly expressive performances. Let your imagination soar and tap into new sonic dimensions with the modwave wavetable synthesizer from Korg!

Over 230 million wavetable variations

The modwave comes loaded with over 200 characterful wavetables, each with up to 64 waveforms, which, when combined with modwave’s modifier and morph features, allows for a staggering 230 million wavetable variations! If that’s not enough to satisfy your desire for unique tones, modwave allows you to import wavetables from Xfer Record’s highly popular Serum advanced software wavetable synthesizer, as well as custom wavetables in WaveEdit format. But the fun doesn’t stop there! The modwave includes a multi-gigabyte PCM library, for adding realism to patches with Korg’s impeccably recorded samples.

Shape your sounds with MS-20 and Polysix filters

While wavetable synthesis offers sonic possibilities far beyond typical subtractive synthesis, it's hard to beat the creative potential of a good filter. The modwave synthesizer packs lowpass and highpass filters modeled after those found on the classic MS-20 synthesizer, as well as a lowpass filter model based on the Polysix synthesizer. You'll also find an array of 2- and 4-pole lowpass, highpass, bandpass, and band-reject filters. And of course, you’re also supplied with Korg's beloved multimode filter, which can morph and modulate between multiple filter modes.

The Kaoss Pad is back!

When it first hit the market in 1999, Korg’s Kaoss Pad was a deliciously disruptive piece of technology, giving users unprecedented hands-on control to sample, mangle, and alter any sound source. Famously used by musical experimentalists such as Brian Eno, Radiohead, and Muse, the Kaoss Pad encouraged expressive interaction with its powerful set of audio manipulation tools. Not only does the modwave feature the renowned Kaoss XY touchpad, but it also introduces Kaoss Physics, which models the behavior of a bouncing ball for randomized parameter automation. Customize the environment to which the ball responds by defining the shape of its slopes, adjusting the surface friction, and choosing between padded or hard walls; or remove the walls entirely, so that surface wraps around to the opposite edges like a vintage arcade game. Go even further by manipulating the Kaoss Physics parameters with any of modwave’s modulation sources or even with the Kaoss Physics outputs themselves!

Motion Sequencing 2.0 animates your playing experience

An evolution of the Korg wavestate’s Wave Sequencing 2.0, Motion Sequencing 2.0 brings incredible dynamism and animation to your patches and step sequences. Motion Sequencing 2.0 allows you to manipulate sample sequence, timing, and pitch independently to create complex, evolving patches with a non-linear vibe. Each of these parameters (and many more) is assigned its own "Lane," and each Lane can have a different number of steps, with control over their start, end, and loop points. Lanes can even randomize their step order every time they are played, yielding a completely unpredictable and non-linear playing experience.

Take your sound design to stratospheric heights with built-in effects

Your patches will ascend to stratospheric heights with the modwave’s massive collection of built-in effects. Starting with Pre FX — including the Decimator bitcrusher and sample reducer, studio-quality EQ and compression, along with ring modulation, tremolo, and a waveshaper — you can transform your raw sounds, before further manipulating them with any of modwave’s stunning Mod FX. Then, cap it off with one of five stereo delays, a master reverb, and a 4-band parametric master EQ. Dreamy and dramatic, gritty and glitchy, polished and clean: with the modwave’s high-quality effects, you have infinite atmospheric depths at your fingertips.

Ready for stage or studio

A pair of balanced line-level outputs ensures the modwave sounds fantastic even over long cable runs, and a headphone output is available for personal monitoring as well — perfect for late-night sound design sessions. DIN MIDI ports are present for connecting with other MIDI-compatible hardware, and class-compliant USB MIDI is available for integrating with your computer. Speaking of which, we highly recommend downloading the free editor software from Korg — it's the perfect way to manage your custom patches and much more.

What KORG Says...

Synthesis powerhouse with distinctive wavetable timbres, Kaoss Physics, and Motion Sequencing 2.0. In 1985, Korg's DW-8000 combined digital wavetables with rich analog filters to give users sounds which were impossible to create with analog oscillators. It's still a cult favorite today. modwave builds on the DW legacy and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases. modwave also introduces two unique new tools for creating dynamic motion: Kaoss Physics and Motion Sequencing 2.0. Kaoss Physics combines an x/y Kaoss pad with modulatable game physics to create a responsive, interactive controller that is—besides being powerful— a lot of fun to explore. Motion Sequencing 2.0 brings the organic, continuously evolving patterns of the wavestate's Wave Sequencing 2.0 into the world of motion sequencing, including multiple lanes and real-time recording to help you create complex and evolving phrases that other step sequencers cannot. Like Wave Sequencing 2.0 (wavestate) and altered FM (opsix), modwave’s evolved wavetable synthesis delivers its own brand of completely unique sounds and a knob-per-function layout that makes customizing those sounds fast and easy. There are hundreds of preset sounds empowered by this new architecture, organized by front-panel category buttons, and all instantly customizable via the four Mod Knobs. modwave's distinctive wavetable timbres start with aggressive basses & leads, and lush ambient pads which will add a new dimension to your tracks. But that is just the beginning. Those who want to dig deeper will find an endless source of discovery; with the modwave’s unique synth architecture, you'll be finding new things for a long, long time. Save as many of your sounds as you like; there's room for thousands more. You can also load your own samples, import wavetables in standard formats, and create your own wavetables using the free WaveEdit software.

Modwave Synthesis Engine

When we call the wavetable oscillators "deep," we are not kidding. Start with over 200 wavetables, each containing up to 64 waveforms—from thousands of individual waves. Use the 30+ Modifiers to change their basic character, and the 13 Morph Types to process them in real-time. Create new hybrids from any two wavetables using the unique, realtime A/B Blend. Quick math: that's over 230 million wavetable variations out of the box, and that’s before you even add modulation. No need to stop there, though! Expand your palette even more by importing new wavetables using the Editor/Librarian software. Try the many free and commercial wavetable libraries in the standard Serum format*, or create your own using the free, cross-platform WaveEdit , now available in a custom version for the modwave. Layer wavetables with samples from the built-in, multi-gigabyte PCM library, or import up to 4 GB of your own samples using Korg’s Sample Builder software. * If an imported wavetable has more than 64 waveforms, it is assumed to be a generated crossfade, and some of the intermediate waveforms are dropped to create a 64-waveform version. Each Program has two full-featured wavetable oscillators, plus a sub oscillator/noise generator and any of a dozen stereo filter types, including the aggressive MS-20, sweet Polysix, and the newly enhanced Multi Filter. Animate almost any parameter using the massively flexible modulation system, with four triggerable envelopes, five LFOs, dual mod processors and two key-track generators–plus multi-lane Motion Sequencing and Kaoss Physics. Even with all that synthesis power, playing up to four simultaneous wavetables per voice in a single Program, the modwave still achieves 32-voice polyphony, incredible for a wavetable synth. Layer two Programs together for double the possibilities.

Kaoss Physics

Kaoss Physics models a ball rolling on a surface and/or bouncing off walls. Start the ball by flicking a finger on the x/y pad, or launch the ball automatically using a trigger source such as Gate + Damper. You can also directly control the ball by holding your finger on the pad. The position of the ball produces four modulation signals, which can be used to control any modulation destination you like: the X and Y locations, the distance from the center, and the angle relative to the X axis. This method of applying automated modulation is a first, and the results are modulations that are engrossing and evolving. There is a bump in the virtual surface, going either down or up, like a valley or a hill. You can set the height or depth of the bump, and choose one of several different shapes for its slopes. The surface has adjustable friction, so that the ball slows down as it travels. There are walls on the four sides of the surface, and when the ball hits a wall, it bounces off. Walls can slow down the ball, as if they were padded, or accelerate the ball, like bumpers in a pinball machine. The walls can also be removed entirely, so that the surface wraps around to the opposite edges like a vintage arcade game. The modeled environment can create specific modulation effects. For instance, use a centered bump with negative height so that the modulation values always eventually return to 0. Or, position a bump with positive height on a side or a corner, to push modulation values away from that zone Most parameters, including Tilt, Friction, Time, Bump Height and Position, etc. are modulatable. You can even modulate them from the Kaoss Physics outputs—for instance, try modulating Tilt X with Kaoss Y. The result is an interactive controller that amplifies your physical gestures, transforming them into complex musical results. Did we mention that it's fun, too?

Motion Sequencing 2.0

Motion Sequencing 2.0 is evolved from the wavestate’s Wave Sequencing 2.0. Timing, Pitch, Shape, and four sets of Step Sequence values are separated into “Lanes,” each with their own loop start and loop end, adding a deeper, more customizable level of phrase and modulation recording. Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a step sequence value may be matched with a different duration, pitch, and shape every time that it plays. You can modulate each Lane’s loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different! Lanes can also randomize the step order every time they play. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The dual onboard arpeggiators can interact with Motion Sequences for even more possibilities.

What's a wavetable?

Wavetables are sets of single-cycle digital waveforms, arranged in a specific order. The wavetable's "position" determines which waveform is played. Moving the position with an envelope, LFO, or other modulation source creates subtle or dramatic changes in timbre. Some wavetable systems switch abruptly from one waveform to another; others crossfade smoothly between them. The modwave can do either one.

Modifiers

Use over 30 Modifiers to alter the character of any wavetable at load time. For instance, isolate the odd or even harmonics, add weight through anti-aliased quantization or saturation, or revisit the gritty character of old-school wavetable synths with the Vintage 8 & 12 options.

Morph

The 13 Morph Types let you stretch, squeeze, reflect, and otherwise alter the wavetables in real-time, changing their timbre and—when modulated—creating additional motion in the sound. Sync creates classic swept-sync timbres, using only a single oscillator. Three special Morph Types—FM, AM, and Ring Mod—modulate Osc 2 with Osc 1, and the last two even apply to samples.

A/B Blend

Using the unique A/B mode, oscillators can blend any two wavetables with phase-synchronous precision—different from simply layering voices—opening up a dimension of intermediate waveforms. Add body to otherwise "thin" waveforms, for instance, or a touch of sizzle to a mellow timbre. Even fade between two different "modifier" versions of the same wavetable. A/B Blend can be modulated in real-time, of course.

Gigabytes of samples

Wavetables also sound great when layered with samples, and the modwave oscillators handle that with aplomb. Totaling in the gigabytes, the modwave’s sample library includes new material from KORG, Airwave, and Francis Preve, plus a bank from Plugin Guru and a selection from the Kronos and Krome libraries.

Filters for days

Add vintage character to your sounds with the aggressive MS-20 Lowpass or Highpass filters, or the strong, sweet Polysix Lowpass - all newly enhanced with gain controls to make it easier to dial in the resonance timbre. Shape and refine with a full collection of resonant 2-pole and 4-pole Lowpass, Highpass, Bandpass, and Band Reject filters. Or, step outside the box with KORG’s unique Multi Filter, which creates modulatable blends of multiple modes simultaneously - now with presets on a front panel knob, for easier exploration of its many possibilities.

Control and modulation galore

Bursting with knobs and controllers, the modwave invites you to explore. Oscillators, filter, envelopes, LFOs, and effects are all at your fingertips with dedicated front-panel controls. Four programmable Mod Knobs are customized to bring out the most in every sound. Use the knobs in realtime performance, and also save the results as new sounds. The Hold button lets you sustain notes or chords indefinitely, while you explore the front-panel controls or play other gear. Add in Kaoss Physics and the Pitch Bend and Modulation Wheels, and you’ll always have multiple dimensions of realtime expression. Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Motion Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and mor.

An arsenal of effects

The modwave’s superb effects deliver production-ready sounds. Each Layer has three dedicated effects, plus a send to the Performance's master reverb, followed by a master parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you’ll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS and Kronos), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.

Randomization that inspires.

Looking for even more inspiration? A dedicated front-panel button, marked by a “dice” icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the oscillators, filter, or effects. Use the results directly, or as a jumping-off point for your own creations.

Editor/Librarian software

The modwave Editor/Librarian lets you edit and organize sounds via your macOS or Windows computer (including the latest Apple M1-based systems). Using USB networking for high-speed communication, it works like a second front panel for the instrument, so there's no need to synchronize or transfer data. Animations show the effects of modulation in real-time - a great help when programming.

Set Lists and Smooth Sound Transitions

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.

Connections

Balanced stereo outputs connect to any recording or monitoring system, and a stereo headphone output is provided for private playing or onstage cueing. Din-style MIDI jacks ensure connection to other MIDI-equipped instruments and audio gear, and the modwave supports class-compliant USB MIDI connections to Windows and macOS computers.

Designed by KORG R&D in California.

KORG R&D created the wavestate and the original Wavestation, co-created the OASYS and Kronos, and has developed fundamental technologies behind many other KORG instruments. The modwave reflects their unique aesthetic, delivering stunning sound, deep flexibility, and immediate physical control via cutting-edge technologies. Key sound designers from the wavestate, Airwave and Peter “Ski” Schwartz, joined Francis Preve, Richard Devine, and the Korg voicing team to create the modwave’s incredible sound library.

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