{"product_id":"warm-audio-wa-251","title":"Warm Audio WA-251 Tube Condenser Microphone","description":"[custom_html]\n\u003cdiv class=\"product-info__description__brand\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0668\/1001\/files\/brand_warm.png?v=1767422972\" alt=\"\" width=\"130\" height=\"58\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-info__description__text\"\u003eLarge-diaphragm Tube Condenser Microphone with 3 Polar Patterns, External PSU, Shockmount, and Wood Presentation Box\u003c\/div\u003e\n[\/custom_html][video]https:\/\/www.youtube.com\/watch?v=eiNExzvMUpw[\/video]\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eAn Inspired Re-creation of the Legendary ’251\u003c\/h4\u003e\n\u003cp\u003eThe Warm Audio WA-251 is a faithful replica of the classic ’251-style large-diaphragm condenser microphone. The original, introduced in 1960, is reverentially considered to be one of the most gorgeous-sounding mics ever made. With rare working-condition vintage ’251s going for big money, the WA-251 is a no-brainer if you’re after that uniquely smooth, present, and open sound you’ve heard on countless hits. Simply put, this microphone delivers sumptuous results on any instrument. Stock your mic locker with a meticulous rendition of a classic: the Warm Audio WA-251.\u003c\/p\u003e\n\n\u003ch4\u003eA sound heard on countless iconic recordings\u003c\/h4\u003e\n\u003cp\u003eTheir acclaimed vintage-inspired compressors, preamps, and mics have famously upset the pro audio price\/performance ratio, so when Warm Audio turned its attention to the godfather of large-diaphragm tube condenser microphones, you know it had to be good. And is it ever! With its discrete, transformer-balanced vacuum tube circuitry and custom reproduction capsule, the Warm Audio WA-251 nails the huge, creamy sound of the beloved and revered ’251 — a sound heard on countless iconic recordings.\u003c\/p\u003e\n\n\u003ch4\u003eNo source the WA-251 can’t finesse\u003c\/h4\u003e\n\u003cp\u003eFlash back to any top recording studio in the 1960s, and you’d see the venerable ’251 everywhere. Now it occupies a lofty perch in the pantheon of the greatest microphones ever made. It’s this classic circuit design — dating back more than a half century — that Warm Audio closely followed for the WA-251. This faithful replica uses a custom all-brass true CK-12-style capsule. Three polar patterns and robust 132dB SPL handling translate to incredible versatility; there’s literally no source the WA-251 can’t finesse with its inimitable, seductive sonics. Engineers at Music Experience who have worked with the iconic original are beyond impressed. And you will be too.\u003c\/p\u003e\n\n\u003ch4\u003eExplore the sonic possibilities\u003c\/h4\u003e\n\u003cp\u003eThe WA-251’s three polar patterns — cardioid, omnidirectional, and figure-8 — give you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. With two of these superb microphones, you can implement stereo techniques such as spaced pair (A\/B), XY (including Blumlein), ORTF array, and mid-side (M-S). For full orchestra, add a third WA-251 for the minimalist — and highly effective — Mercury Living Presence technique: three spaced omnis across the orchestral soundstage, centered above the conductor’s podium. Set all three channels for unity gain, trim for the loudest musical peaks, and leave those faders alone. Let the conductor balance the orchestra.\u003c\/p\u003e\n\n\u003ch4\u003eA ’251 for the rest of us\u003c\/h4\u003e\n\u003cp\u003eWhat can you achieve with the WA-251? Every studio needs at least one pair of high-quality large-diaphragm condenser mics, and the Warm Audio WA-251 is designed after a legendary one. You can use the WA-251 on anything — with world-class results. It’s simply stunning on vocals, acoustic guitars, double bass, electric guitar and bass cabs, piano, drums and percussion, strings, brass, woodwinds, and any other source you’d care to throw at it. In fact, you could mic an entire symphony orchestra with nothing but three judiciously placed WA-251s set to omni. Considering its amazing value, it would be wise to get two for recording tracks in stereo. You haven’t lived until you’ve heard a grand piano spring to life when miked with a pair of ’251s. For drum room mics, use two WA-251s and nuke the stereo signal with a fast compressor — positively explosive!\u003c\/p\u003e\n\u003ch4\u003eWhat Warm Audio Says...\u003c\/h4\u003e\n\u003cp\u003eThe WA-251 is a true recreation of a studio classic revered for its warm and balanced tones. The WA-251 delivers the same sound profile of the original mic, easily considered to be one of the greatest condenser microphones ever created. Known for its natural, rich sound reproduction so often used on vocals and acoustic instruments, the original was used by a long list of legendary vocalists including Adele, Ariana Grande, John Legend, Neil Young, Stevie Wonder, and many more.\u003c\/p\u003e\n\n\u003ch4\u003eA Studio Favorite For Warmth \u0026amp; Depth\u003c\/h4\u003e\n\u003cp\u003eThe WA-251 captures natural sound with controlled bass and smooth high-end — just like the vintage 251-style microphones. Looking at the frequency response, the WA-251 essentially has an “always-on” 50 Hz high pass filter. With most usable bass frequencies running from 60–250 Hz, the WA-251 is a great choice for capturing lows and mids that sound tight in the mix rather than muddy or boomy. The 5–10 kHz dip in cardioid mode smooths out the highs to deliver a top end that never sounds harsh.\u003c\/p\u003e\n\n\u003ch4\u003eWhat You Need to Know\u003c\/h4\u003e\n\u003cp\u003eLike the original 251-style mic, the WA-251 includes all the features that deliver a complete and professional recording experience.\u003c\/p\u003e\n\u003cp\u003eThe WA-251 uses a true reproduction of the CK12-style capsule in the original 251 tube mic — perfect for recordings where vintage vibe is a must.\u003c\/p\u003e\n\u003cp\u003eThree polar patterns (cardioid, omni, and figure-8) give you a variety of options to choose how you want to capture sound and reject noise.\u003c\/p\u003e\n\u003cp\u003eThe WA-251 uses a premium 12AY7 vacuum tube to complement the CK12-style capsule for smooth tone and vintage warmth without harsh high end.\u003c\/p\u003e\n\u003cp\u003eThe custom USA-made CineMag transformer drives the bold sound captured by the capsule, delivering the tight lows, present mids, and smooth highs out of the WA-251 circuit.\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n[tabs] [tab title=\"FEATURES\"]\n\u003ch4\u003eWarm Audio WA-251 Tube Condenser Microphone Features:\u003c\/h4\u003e\n\u003cul\u003e\n  \u003cli\u003eFaithful replica of the classic ’251-style large-diaphragm condenser mic\u003c\/li\u003e\n  \u003cli\u003eCustom all-brass CK-12-style capsule\u003c\/li\u003e\n  \u003cli\u003eCustom CineMag USA transformer\u003c\/li\u003e\n  \u003cli\u003eJJ Slovak 12AY7 vacuum tube\u003c\/li\u003e\n  \u003cli\u003eGotham 5-meter GAC-7 7-pin tube microphone cable\u003c\/li\u003e\n  \u003cli\u003eWIMA, Solen French, and polystyrene capacitors\u003c\/li\u003e\n  \u003cli\u003e3 polar patterns: cardioid, omni, figure-8\u003c\/li\u003e\n  \u003cli\u003eDynamic range: 125dBA\u003c\/li\u003e\n  \u003cli\u003eMaximum SPL: 132dB (\u0026lt;0.5% THD)\u003c\/li\u003e\n  \u003cli\u003eFrequency range: 20Hz–20kHz\u003c\/li\u003e\n  \u003cli\u003eOutput impedance: 200 ohms\u003c\/li\u003e\n  \u003cli\u003eRated load impedance: ≥2k ohms\u003c\/li\u003e\n  \u003cli\u003eS\/N ratio: 80dBA\u003c\/li\u003e\n  \u003cli\u003eEquivalent noise: 12dBA (IEC651)\u003c\/li\u003e\n  \u003cli\u003eExternal IEC grounded PSU\u003c\/li\u003e\n  \u003cli\u003eIncludes 7-pin cable, wood box, power supply, and shockmount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e[\/tab] [tab title=\"SPECIFICATIONS\"]\u003c\/p\u003e\n\u003csection class=\"product-specs\"\u003e\n\u003csection class=\"product-specs\"\u003e\n\u003csection class=\"product-specs\"\u003e\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n  \u003cth\u003eMicrophone Type\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003eTube Condenser\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eMono\/Stereo\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003eMono\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003ePolar Pattern\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003eCardioid, Figure-8, Omnidirectional\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eDiaphragm Size\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003eLarge diaphragm\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eFrequency Response\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003e20Hz–20kHz\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eMax SPL\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003e132dB SPL\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eOutput Impedance\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003e200 ohms\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eSignal to Noise Ratio\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003e80dB (A weighted)\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eSelf Noise\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003e12dB (A weighted)\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eTube\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003eJJ Slovak 12AY7\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eFeatures\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003eCustom CineMag USA transformer\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003ePower Source\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003eExternal power supply\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eConnector\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003e7-pin (mic), XLR (power supply)\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eDimensions\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003e9.72\" x 1.81\"\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eIncluded Accessories\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003eShockmount, Gotham Cable, Wood box\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n  \u003cth\u003eManufacturer Part Number\u003c\/th\u003e\n  \u003ctd\u003e\n    \n    \u003cspan\u003eWA251 UPC: 860191002128\u003c\/span\u003e\n  \u003c\/td\u003e\n\u003c\/tr\u003e\n\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e\n\u003ca id=\"reviews\" class=\"anchor\"\u003e\u003c\/a\u003e\n\u003csection class=\"product-reviews\"\u003e\u003cheader class=\"product-reviews__header\"\u003e\u003c\/header\u003e\u003c\/section\u003e\n[\/tab][\/tabs]","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47571896107222,"sku":"WA-251","price":23495.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/1001\/files\/warm-audio-wa-251-1.jpg?v=1767518859","url":"https:\/\/www.musicexperience.co.za\/products\/warm-audio-wa-251","provider":"Music Experience","version":"1.0","type":"link"}