The Ibanez Bass Workshop SRMS805 is built from an exciting blend of tonewoods. A poplar-burl-topped walnut/mahogany body delivers a warm, earthy tone with a round bottom and bright top end. A 5-piece jatoba/walnut neck makes a fine tonal complement, while supplying excellent comfort and stability. The SRMS805's multi-scale fingerboard offers optimal tension and playability. Experience superior intonation and vibration transference, thanks to a Mono-Rail VS bridge. A duo of Bartolini BH2 dual-coil pickups yields incredible depth and clarity, a 3-band EQ allows for further sonic sculpting, and a 3-way midrange switch rounds out the SRMS805's controls. To top it all off, the Bass Workshop SRMS805 features black matte hardware for a sleek, eye-catching look.
Multi-scale frets are an exciting new trend in high-end bass guitar design. They yield a longer scale on the bass side of the instrument and a shorter scale on the treble side, offering you better intonation and more consistent tension and attack from string to string. And while getting used to them may look like it will be quite an undertaking, Music Experience bassists insist that it's a very natural transition. And the better intonation, consistent string tension, and more open tone far outweigh any difference from other basses.
Bartolini BH2 pickups maintain a superb balance between the Bass Workshop SRMS805's clarity and depth. They provide complexity and warmth in the mids and low-end depth that won't wash out. Long-blade pole pieces allow these dual-coil pickups to offer hum-free single-coil-style character and consistency. When you want to sculpt your SRMS805's tone, just reach for the 3-band EQ. This active equalizer delivers wide frequency-range adjustments on each band. There's also a 3-way midrange switch that lets you define your instrument's presence. Whether you want round R&B throb or responsive thumb-technique punch, the SRMS805 delivers.
The Mono-Rail VS bridge installed on the Bass Workshop SRMS805 solves the issue of too much string cross-talk some other basses struggle with. When you play a string, sympathetic vibrations can set the other strings into motion. But by separating the bridge into five independent "mini bridges," the Mono-Rail VS maximizes vibration transfer without interference from the other strings. Ibanez goes so far as to call the Mono-Rail VS, "the ultimate bridge for bass string isolation." Each bridge is independently and securely locked down to the body for maximum vibration transfer without interference.
For more than 40 years, Ibanez has pioneered new frontiers in bass development, pushing the boundaries of conventional designs to bass players of all styles, affording new avenues of expression and creativity. This spirit of exploration has led to the creation of some of the most successful and popular production basses of all time. Following this same drive to bring new and relevant ideas to the musical forefront is what serves as the basis for this ongoing project, dubbed the Ibanez Bass Workshop. The impetus behind each one of these unique instruments comes from a desire by the Ibanez bass development team to satisfy the particular needs of many players. These inventions may not be for everyone, but for those who yearn to explore new sonic vistas through the medium of bass: The Ibanez Bass Workshop project may give you just what you're looking for.
Equalized tension helps to create a more "alive", open tone. But the design also improves player comfort. The multi scale construction ergonomically coordinates with the way a player's hand angles as it moves up and down the neck, facilitating quick, comfortable playing action.
The MR5S bridge has adjustable saddles for variable string spacing by +/- 1.5mm, answering every bassist’s specific string spacing needs.
The Bartolini® BH2 pickups provide a tight bottom-end, punchy mid-range, and smooth response. The dual-coil style configuration maximizes articulation and a long blade pole piece widens the magnetic field, providing balanced string-to-string pickup response.
Ibanez Custom Electronics 3-band EQ is our latest refinement on the concept of simple, straightforward, no-nonsense EQ control. The Boost and Cut for the Mid Control are each centered on slightly different frequencies, an innovation that delivers a preset range of the most favorable bass tones.
Precision tonal control, including a switch to choose passive-only operation. When the EQ bypasses activated, the treble tone control knob becomes the global tone control for the passive circuit.
Panga Panga features a beautiful wood grain which produces a tight low and mid range, along with a sharp attack on high end.
Two of the most rigid and musical hardwoods set against one another to provide a thin neck with reliable long-term harmony.
Body Type | Solidbody |
---|---|
Body Shape |
SR Workshop |
Left-/Right-handed | Right-handed |
Number of Strings | 5 |
Body Material |
Poplar Burl top, Mahogany body |
Body Finish |
Gloss Polyurethane |
Color |
Deep Twilight |
Neck Material |
5-piece Maple/Walnut |
Neck Shape | SRMS5 |
Radius | 12" |
Fingerboard Material |
Bound Panga Panga |
Fingerboard Inlay |
Acrylic special inlay |
Number of Frets | 24, Medium |
Scale Length | 34"-35.5" Multi-scale |
Nut Width | 1.771" |
Nut Material | Plastic |
Bridge/Tailpiece | Mono-rail VS |
Tuners | Ibanez machine heads |
Neck Pickup |
Bartolini BH2 Humbucker |
Bridge Pickup |
Bartolini BH2 Humbucker |
Controls |
1 x volume, 1 x balancer, 3-band boost/cut EQ, EQ bypass switch, 3-way Mid frequency switch |
Strings | D'Addario .045-.130 |
Case Included | None |
Manufacturer Part Number |
SRMS805DTW |