Now with Taylor’s revolutionary V-Class bracing, the Taylor 522ce V-Class guitar brings you classic Taylor playability and signature Taylor tone in a small-bodied Grand Concert design. The 522 is exceptionally rich-sounding thanks to an all-mahogany design with solid tropical mahogany for its top, back, sides, and neck. The 522ce V-Class comes equipped with Expression System 2 electronics to capture every nuance of your playing when you’re plugged in at the coffee shop, onstage at the club, or tracking at the studio. Get the sweet sound of mahogany in a compact and travel-friendly size with the Taylor 522ce V-Class acoustic-electric guitar.
Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa). V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible, for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and, hence, sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation by producing notes that are not only louder and have longer sustain, but they’re also more in tune with each other. V-Class bracing boosts volume evenly across the tonal spectrum, increases sustain, and improves the natural intonation of the instrument by creating a more synergistic response from the soundboard. This fosters a more harmonious relationship between the notes you play, helping chords to ring out in cohesive splendor. Pick up a Taylor with V-Class bracing and experience it for yourself!
One of Taylor’s most comfortable body styles, the 522ce V-Class’s smaller-than-average Grand Concert shape is the perfect fit for anyone looking for a more manageable instrument. Its compact body and neck make the 522ce V-Class a particularly good fit for fingerstylists and players who have a shorter reach.
Mahogany is known for its rich harmonics, complex lows, and controlled midrange. The 522ce V-Class sports an all-mahogany build — top, back, sides, and neck — with an ebony fretboard and bridge for exceptional note detail and attack to complement its mellow tonal signature. A dark stain gives the tropical mahogany top a moody look to match its complex sound.
Artists who play plugged in will appreciate the natural-sounding Taylor Expression System 2 (ES2) electronics onboard the 522ce V-Class acoustic guitar. This system features a 3-section proprietary pickup located behind the guitar’s saddle for clear and accurate sound reproduction. A master volume control and a pair of tone controls let you tweak your sound and output from the stage, and a discreet phase switch offers vital onboard feedback suppression.
A fingerstylist’s dream, Taylor’s mahogany/cedar Grand Concert 512ce packs stunning warmth and midrange presence into a comfortable, player-friendly package. The smaller body and 24-7/8-inch-scale neck make for an intimate playing experience, and the cedar top responds with a wonderful midrange bloom, especially for players with a light touch. This year’s edition features a move to V-Class bracing tailored for the Grand Concert shape, which pushes a surprising amount of volume from this small-bodied guitar, coupled with notes that sustain gorgeously. The new bracing design proves a perfect match for a solid cedar top, opening up greater headroom while maintaining cedar’s natural touch sensitivity and warmth. An elegant cutaway opens up the fretboard, while Taylor’s ES2 pickup delivers organic amplified acoustic tone. Appointments include faux tortoise shell binding and pickguard, a rosette of faux tortoise shell framed by grained ivoroid, and a grained ivoroid Century fretboard inlay.
A smaller-bodied guitar ideally suited for fingerstyle.
The hardwood top produces strong fundamentals with clarity and focus.
A midrange powerhouse. Mahogany is prized for balance and articulation, making it one of the best all-around tonewoods there is.
The Expression System® 2 captures more of a guitar’s dynamic properties using a breakthrough behind-the-saddle design.
A revolutionary design that balances the flexibility and stability of the top, V-Class bracing produces unmatched sustain, volume, and intonation.
The Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the guitar.
Series | 500 |
---|---|
String Type | Steel |
Number of Strings | 6 |
Body Shape | Grand Concert |
Left-/Right-handed | Right-handed |
Color | Shaded Edge Burst |
Finish |
Gloss |
Top Wood | Tropical Mahogany |
Back & Sides Wood |
Tropical Mahogany |
Body Bracing | V-Class bracing with Relief Rout |
Binding | Tortoise |
Neck Wood | Tropical Mahogany |
Fingerboard Material | West African Ebony |
Fingerboard Inlay |
Ivoroid Century |
Number of Frets | 20 |
Scale Length | 24.875" |
Tuning Machines |
Taylor Nickel, 17:1 ratio |
Bridge Material | Ebony |
Nut/Saddle Material | Black Graphite nut/Micarta saddle |
Nut Width | 1.75" |
Electronics | Expression System 2 |
Strings | Elixir NANOWEB Light Gauge (.012-.053) |
Case Included | Deluxe Hardshell Brown |
Manufacturer Part Number |
A502001111000640120 |